Vermeer_-_Woman_with_a_Lute_near_a_window

Fundraising Concert

Saturday, November 30, 2019 – 7:30PM

First Presbyterian Church (Arthur Newcombe Room)
10025 105 Street, Edmonton

Dawn Bailey, soprano
Beth Levia, baroque oboe
Josephine van Lier, baroque cello & bass viola da gamba
Marnie Giesbrecht, Joachim Segger, harpsichord

Our fundraising concerts are truly special, intimate events, where you get up close to the musicians and get transported to a different era.
The tickets are $150
All of the proceeds go Early Music Alberta’s programming.
You will receive a tax receipt for a portion of your ticket price.

Tickets must be pre-purchased online or by cheque (mail to 617 Henderson Street, Edmonton, AB T6R 1S4).

Les Voix Humaines

Saturday, February 22, 2020 – 8:00PM

First Presbyterian Church (Arthur Newcombe Room)
10025 105 Street, Edmonton

4 Seasons, 4 Viols
Antonio Vivaldi’s (1678-1741) Quattro Stagioni revisited

Ingenious arrangements of Vivaldi’s 4 Seasons for four violas da gamba.

Musicians
Les Voix humaines Consort of Viols
Margaret Little
Mélisande Corriveau
Felix Deak
Susie Napper

Program:

Concerto n° 1 , op. 8, RV 269, « La primavera »*
Allegro
Largo
Songster Chaconne – One Charming Night Henry Purcell (1659-1695)
En montant la rivière * traditional
Allegro

Concerto n° 2, op. 8, RV 315, « L’estate »**
Allegro non molto – Allegro
Adagio – Presto – Adagio
Summertime *** George Gershwin (1898-1937)
Presto

* * * * *

Concerto n° 3, op. 8, RV 293, « L’autunno » *
Allegro
Autumn Leaves (1945) *&** Joseph Kosma (1905-1969)
Harvest Chaconne Henry Purcell
Adagio molto
Allegro

Concerto n° 4, op. 8, RV 297, « L’inverno » **
Allegro non molto
Largo
Petite berceuse du début de la colonie ** Gilles Vigneault /Robert Bibeau
Allegro

* arrangement: Susie Napper
** arrangement: Margaret Little
*** arrangement : Jay Bernfeld

The Four Seasons (Le Quattro Stagioni) is Antonio Vivaldi’s (1678-1741) most popular set of concertos. What a bizarre phenomenon that these pieces are heard nowadays as elevator and supermarket Muzak, as street music on anything from accordion to Jews harp as well as annoying, “ on hold” telephone entertainment!

However, the popularity of The Four Seasons is nothing new. They were amongst the Top Ten tunes during the 18th century! Spring was performed regularly from 1725 to 1790 at the Concerts spirituels, the Parisian concert series. There are also many period arrangements of the concertos for diverse instruments, from solo recorder to full orchestra with choir. Stealing music was common practice in the baroque period. Like clay, it was a medium to be modelled to fit different instruments and new performance situations. Les Voix humaines is, therefore, following a well-trodden, baroque tradition by arranging these pieces for the fun of it!

Each of Vivaldi’s seasons is filled with word painting: you can hear the birds singing, dogs barking and the hurdy-gurdy in Spring, the thunder storms and mosquitos in Summer, the drunken farmers and hunting horns in Autumn and the wind, ice and rain in Winter. Vivaldi includes short poetic descriptions of the seasons throughout the music which you will hear during this performance. You’ll also hear some other well-known jazz standards, pop tunes and traditional songs (by Henry Purcell, George Gershwin or Joseph Kosma) that we’ve slipped into the concertos for your pleasure and ours.
Luckily we’ll never know if Vivaldi is turning in his grave!

Les Voix humaines
Recipients of numerous prizes, Susie Napper and Margaret Little, have thrilled audiences worldwide with dashing performances of early and contemporary music for viols since 1985. heir musical complicity has been compared to the skill of two trapeze artists or the telepathic communion of a pair of jazz saxophonists! They are renowned for their spectacular arrangements of a wide variety of music for two viols and have become a world reference for the music of Sainte-Colombe.
Les Voix humaines has toured Canada, USA and Mexico, Europe, Australia, New Zealand, Israel, China and Japan, has recorded most of the repertoire for two equal viols and has worked with musicians such as Bart and Wieland Kuijken, Charles Daniels, Eric Milnes, Skip Sempe, David Greenberg and Nigel North.

Les Voix humaines Viol Consort
With colleagues Mélisande Corriveau and Felix Deak, Les Voix humaines Consort has been very active performing unusual programmes for viols including an arrangement of Vivaldi’s Quatro Staggione for four equal viols, Tobias Hume’s Poeticall Musicke and the works of Tomaso Lupo and Giovanni Trabaci. The consort has been touring Europe and North America for the past several years and has recorded classics such as Bach’s Art of Fugue and Purcell’s Fantasias.

Recordings
Les Voix humaines has recorded over forty CDs to critical acclaim and has won prestigious awards (Diapason d’Or, Choc du Monde de la Musique, Repertoire-Classica 10, Goldberg 5, Classics Today 10/10, Prix Opus, etc).

Recordings include the complete Poeticall Musicke by Tobias Hume, The Four Seasons of Christopher Simpson, the complete Le Nymphe di Rheno by Johannes Schenck, several CDs with soprano Suzie LeBlanc and countertenor Daniel Taylor, Telemann quartets with renowned Belgian flutist Barthold Kuijken, a Marais CD with world famous gambist Wieland Kuijken, Purcell’s complete Fantasias, Bach’s Art of Fugue, the complete August Kuhnel Sonatas and Partitas and Les Voix humaine’s own arrangement of Vivaldi’s Quatro Staggione, “4 Seasons, 4 Viols”.

The recording of the complete Concerts à deux violes esgales by Sainte-Colombe (4 double CDs) is a world premiere, and the fourth volume was awarded a Diapason d’Or. Les Voix humaines records for the ATMA label or self-produces recordings.

www.lesvoixhumaines.org

2020 Early Music Alberta Festival

May 1, 2, 3, 2020

First Presbyterian Church
10025 105 Street, Edmonton

This year it will be our 10th annual Early Music Festival already! Mark your calendars; it is going to be spectacular!
To make this years’ festival possible, we are working hard to secure funds from granting agencies, but are also actively looking for additional sponsorship to make this happen.

If you or someone you know are in a position to help, don’t hesitate to contact us so we can discuss details. We would be so very grateful!
www.earlymusicalberta.com/supportus/

PASSED EVENTS

La Voce e la Tromba

Saturday, October 12, 2019 – 8:00PM

First Presbyterian Church (Arthur Newcombe Room)
10025 105 Street, Edmonton

On the program will be two cantatas by Alessandro Melani, as well as works by Purcel, Scarlatti and Telemann. Edmonton’s own baroque trumpeter Frédéric Payant will shine in these cantatas together with the ever so spectacular – and audience favourite – soprano Dawn Bailey.

Musicians
Dawn Bailey, soprano
Frédéric Payant, baroque trumpet
Josephine van Lier, viola da gamba
Sylvia Shadick-Taylor, harpsichord

Program:
Henry Purcell (1659–1695)
“Sound the Trumpet, beat the warlike drum”
“Sound Fame thy brazen trumpet sound”

Alessandro Melani (1639-1703)
“Quai bellici accenti ascolti, mi core?”
Cantata for soprano, trumpet and basso continuo in D major
I. Aria
II. Aria
III. Recitativo
IV. Aria
V. Recitativo
VI. Aria
VII. Aria

Alessandro Melani (1639-1703)
“All’armi, pensieri”
Cantata for soprano, trumpet and basso continuo in D major
I. Aria
II. Recitativo-Aria
III. Recitativo-Aria
IV. Recitativo-Aria

Alessandro Scarlatti (1660 – 1725)
Si suoni la tromba

Georg Philipp Telemann (1681 – 1767)
Fantasia #3 in e-minor for bass viola da gamba solo
Largo
Presto
Vivace

© Copyright - Early Music Alberta 2015